Engaging novels, poetry, theater, and new media from both the U.S. and internationally - such as Kazuo Ishiguro's science fiction novel Never Let Me Go or Ruth Ozeki's My Year of Meats and exhibits like that of Body Worlds in which many of the bodies on display originated from Chinese prisons - Rachel C. Lee teases out the preoccupation with human fragments and posthuman ecologies in the context of Asian American cultural production and theory.