New in paperback. Hardcover was published in 2013. This handbook provides a definitive cross-section of current ways of thinking about sound and image. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image.