ドイツ映画は東アジアをどう描いたか。日本はフリッツ・ラング監督『ハラキリ』（1919年）からヴィム・ヴェンダース監督『東京画』（1985年）まで多くの章に登場。This is the first edited volume dedicated to the study of East Asian-German cinema. Its coverage ranges from 1919 to the present. It introduces multiple topics, not just immigration, multicultualism, and exile, but also japonisme, children's literature, musical modernity, media hybridity, gender representation, urban space, Cold War divisions, and national identity.