New in paperback. Hardcover was published in 2016. This book focuses mainly on representations of masculinity and gay male spectatorship in queer horror film and television post-2000. In titling this sub-genre 'queer horror', Elliott-Smith designates horror that is crafted by male directors/producers who self-identify as gay, bi, queer or transgendered and whose work features homoerotic, or explicitly homosexual, narratives with 'out' gay characters.